I dreamed that I was in the grand hall of an old European-style building, with curved staircases on both sides. The walls were covered in aged green tiles, reminiscent of the kind found in old military dependents' villages.
Standing on one of the curved staircases, I sang and danced, performing "Mei Lan, Mei Lan, I Love You," though I had altered the lyrics:
"Mei Lan, Mei Lan, I love you, like an orchid, you enchant me.
If you like me, then whenever you see Mei Lan, you'll think of me.
Mei Lan, Mei Lan, I love you, like an orchid, you enchant me.
But if you don’t like me, then don’t come looking for me again."
I sang and danced repeatedly, lost in the performance...
夢見我像是來到一個歐洲老式建築的大廳,兩側有那種弧型的樓梯。牆壁是仿舊的綠色磁磚,有點像是老眷村的那種綠。
我站在弧形樓梯上,載歌載舞,唱著「梅蘭梅蘭我愛你」,但歌詞被我修改了。
“梅蘭梅蘭我愛你,你像蘭花著人迷,
如果你是喜歡我,看到了梅蘭就想到我。
梅蘭梅蘭我愛你,你像蘭花著人迷,
如果你沒有喜歡我,就不要再來看到我。"
我反覆地唱,載歌載舞地唱…

這個夢境充滿了豐富的象徵意義,可以從榮格心理學的幾個核心概念(如集體無意識、原型、陰影、人格面具等)進行解析。以下是一個分層次的解讀:
1. 歐洲老式建築與綠色磁磚:集體無意識的歷史層面
歐洲老式建築的弧形樓梯和大廳可能象徵著「集體無意識」中的古老文化記憶(如歐洲象徵理性、秩序、傳統的集體心理結構)。而「眷村綠磁磚」則代表夢者個人或文化根源中的歷史記憶(台灣眷村承載戰後移民的離散經驗與懷舊情感)。
榮格觀點:建築物常是「自性」(Self)的象徵,而樓梯可能暗示意識與無意識之間的「過渡」。綠色磁磚的「舊」與「眷村」連結,可能反映夢者對自身文化認同或家族歷史的潛在探索需求。
2. 《梅蘭梅蘭我愛你》與改編歌詞:人格面具與陰影的對話
原歌曲是1970年代流行曲,歌詞表達熱烈直白的愛意,但夢中歌詞被修改為帶有條件式的愛(「如果你沒有喜歡我,就不要再來看到我」),可能反映:
人格面具(Persona):夢者在社交中展現的「表演性自我」(載歌載舞的歡快形象)。
陰影(Shadow):歌詞中的條件式愛意,暗示夢者潛在的防衛機制或對親密關係的矛盾(渴望被愛,又恐懼被拒絕)。
榮格認為,夢中改編文化符號(如流行歌)常是無意識試圖「修正」意識態度的訊號。
3. 「梅蘭」與「蘭花」的雙重象徵:阿尼瑪與轉化
「梅蘭」字面是女性名字(可能連結夢者生活中的具體人物),但「蘭花」在東方文化中象徵高潔、短暫的美,榮格學派可能視其為「阿尼瑪」(Anima,男性無意識中的女性面向)的投射。
夢者反覆歌唱「你像蘭花著人迷」,並將「梅蘭」與自我連結(「看到梅蘭就想到我」),可能暗示:
對阿尼瑪特質的認同(如情感表達、藝術性),或
透過藝術表演(唱歌跳舞)整合無意識中的女性面向。
4. 載歌載舞的表演:自我展演與療癒
在榮格理論中,夢中的「舞蹈」常象徵潛在的心理能量流動,而「反覆歌唱」可能反映夢者在清醒時未充分表達的情感需求。
夢中獨自表演卻無觀眾,可能暗示:
對「被看見」的渴望,或
透過藝術創作(如音樂、舞蹈)進行自我療癒的無意識驅力。
綜合解讀:
這個夢境可能是夢者無意識中正在處理「文化認同」(眷村綠磁磚 vs. 歐洲建築)與「親密關係矛盾」(歌詞中的愛與拒絕)。透過改編老歌、在象徵集體記憶的空間中表演,夢者的無意識試圖達成:
整合對立:協調人格面具(社交表演)與陰影(怕被拒絕)。
激活阿尼瑪:透過藝術表達釋放情感能量。
連結歷史與當下:舊建築與新表演的並置,可能暗示個人成長中的過渡階段。
建議夢者反思:
生活中是否有未被表達的藝術或情感需求?
是否對「被愛/被拒絕」的議題感到焦慮?
「眷村綠磁磚」是否連結某段需要療癒的個人或家族歷史?
榮格認為,夢的意義最終需連結夢者的主體經驗,上述分析可作為自我探索的起點。
這個夢境具有豐富的象徵意義,特別是在它的背景、表演和歌詞方面。讓我們透過榮格的視角來分析一下。
場景:古老的歐式大廳,有弧形樓梯
宏偉的大廳暗示著一個重要的空間──也許代表心靈、記憶的地方,或是個人的歷史。歐洲風格的設計,可能表明一些陌生的,或遠離你當前現實的東西,可能是你自己感覺不熟悉,或無人認領的一個方面。
彎曲的樓梯,象徵著不同意識狀態之間的過渡和運動。在榮格心理學中,「樓梯」通常代表有意識和無意識之間的連結。站在樓梯上,可能表示正處於過渡階段,反映了你當前的轉變或自我探索狀態。
老舊的綠色磁磚,喚起了人們的懷舊之情,與老眷屬的村莊聯繫在一起。這可能表明與過去的記憶、文化遺產,或童年經歷有無意識的聯繫。「綠色」通常與成長和癒合有關,可能表示將過去的傷口或經歷,融入現在的自我的過程。
歌舞表演
在夢中表演,表明渴望表達和認可。唱歌和跳舞是情感釋放的形式,可能代表著渴望以某種方式被傾聽或認可。鑑於你是獨自表演,這可能反映了自我表達的個人旅程,而不是尋求外部驗證。
這首歌及其意義
你創作的歌詞傳達了渴望和自我保護的雙重訊息。
第一部分,表達欽佩和深情(「梅蘭,梅蘭,我愛你,你像蘭花著人迷」)——這可能象徵著對情感聯繫的渴望,無論是浪漫的、創造性的,還是個人的。
第二部分,介紹了有條件的愛(「如果你是喜歡我,看到了梅蘭就想到我。」)——暗示一種回報的希望。
最後一行,斷言了一個界限(「如果你沒有喜歡我,就不要再來看到我。」)——這表明了自我價值意識,和拒絕參與不平衡的關係。
從榮格的角度來看,這可能象徵著一個「個體化」的過程:平衡對連結的渴望與自我保護。它可能反映了你既渴望得到認可,又學會建立界線的情緒經驗。
表演中的重複
重複歌曲和舞蹈,可能表示你的生活中有一個循環或未解決的情感主題。你是否正在重溫類似的關係模式、尋求清晰的思維,或強化對自己的新信念?夢中的重複常常凸顯出需要進一步處理或整合的東西。
可能的解釋
這個夢境似乎突顯了自我表達、情感渴望、界線和轉變的主題。它可以建議:
渴望被看見並欣賞真實的自己。
需要調和過去的情緒經驗(可能與愛、認同或童年有關)。
在一個過渡階段,你正在重新定義你與他人的關係,以及你付出了多少情緒能量。
對設定情感界限、確保關係(浪漫或其他)是互惠的,而不是單方面的越來越有信心。
最後的反思
這個夢境可能會鼓勵你擁抱自我表達,同時堅定自我價值。重複的表演,可能表明一個持續的內在驗證過程——學習為自己唱歌和跳舞,而不僅僅是為別人。也許是時候在創造性和情感上完全擁有自己的故事,而無需等待外部認可。
1. The Awakening of Self-Expression (Empowerment & Transformation)
As I sing and dance, the hall slowly transforms—the aged green tiles begin to glow, and the curved staircases extend into infinity, forming a grand stage. A soft golden light envelops me, and suddenly, an unseen audience begins to applaud. I realize that I am not performing for approval but celebrating my own voice. The lyrics shift naturally:
"Mei Lan, Mei Lan, I love you, like an orchid, I bloom free.
If you see me, remember joy, not longing.
Mei Lan, Mei Lan, I love you, like an orchid, I bloom free.
I no longer seek permission to be me."
With that realization, the hall dissolves into light, and I wake up, feeling a newfound confidence in my creative journey.
2. The Reunion on the Staircase (Healing & Connection)
As I continue singing, I notice someone standing at the base of the staircase. It is a familiar figure—someone from my past, or perhaps a part of myself that I had long forgotten. They listen intently, neither approaching nor turning away.
I pause, locking eyes with them. Without speaking, they begin humming along, as if understanding the emotions embedded in the song. We are no longer performers and audience, no longer seeking validation—just two souls recognizing each other.
A warmth spreads through my chest, and the green tiles behind them seem to soften into a gentle garden. The staircase is no longer a divide but a bridge between us. I descend slowly, stepping toward something that feels whole and reconciled.
3. Leaving the Stage, Finding the Exit (Detachment & Liberation)
I grow tired of repeating the song. My voice begins to waver, and I realize that no one is truly listening—not even myself. The performance suddenly feels meaningless.
I stop. The silence that follows is heavy yet freeing. Looking around, I notice an arched door at the back of the hall, slightly ajar, as if inviting me in. Without hesitation, I walk away from the staircase, away from the performance.
As I push the door open, I step into a new world—an open field, filled with wild orchids swaying in the breeze. No stage, no audience. Just me, at peace, finally free from the need to be seen.
4. The Grand Hall Becomes a Gathering Place (Collaboration & Growth)
As I sing and dance, people begin to appear at the top of the staircase and along the balconies. At first, they watch silently, but one by one, they start singing along, harmonizing with my altered lyrics. Some descend the staircase, joining in the dance. The empty hall becomes alive with music and movement.
No longer alone, I realize that the performance was never just mine—it was an invitation. The grand hall, once cold and distant, transforms into a place of warmth and shared joy. As the final note lingers in the air, I smile, knowing that my voice has not just echoed—it has connected.
This dream carries rich symbolism, particularly in its setting, performance, and song lyrics. Let’s analyze it through a Jungian lens.
1. The Setting: An Old European-Style Hall with Curved Staircases
The grand hall suggests a space of significance—perhaps representing the psyche, a place of memory, or personal history. The European-style design may indicate something foreign or distant from your current reality, possibly an aspect of yourself that feels unfamiliar or unclaimed.
The curved staircases symbolize transition and movement between different states of consciousness. In Jungian psychology, staircases often represent the connection between the conscious and unconscious mind. Being on the staircase could indicate being in a transitional phase, reflecting your current state of transformation or self-exploration.
The aged green tiles evoke nostalgia, linking to old military dependents’ villages. This might suggest an unconscious connection to past memories, cultural heritage, or childhood experiences. Green, often associated with growth and healing, might indicate a process of integrating past wounds or experiences into your present self.
2. The Act of Singing and Dancing
Performing in a dream suggests a desire for expression and recognition. Singing and dancing are forms of emotional release, possibly representing a longing to be heard or acknowledged in some way. Given that you are performing alone, it may reflect a personal journey of self-expression rather than seeking external validation.
3. The Song and Its Meaning
The lyrics you created carry a dual message of longing and self-protection.
The first part expresses admiration and deep affection ("Mei Lan, Mei Lan, I love you, like an orchid, you enchant me")—this could symbolize a yearning for an emotional connection, be it romantic, creative, or personal.
The second part introduces conditional love ("If you like me, then whenever you see Mei Lan, you'll think of me")—suggesting a hope for reciprocation.
The last line asserts a boundary ("If you don’t like me, then don’t come looking for me again")—this shows an awareness of self-worth and a refusal to engage in unbalanced relationships.
From a Jungian perspective, this could symbolize a process of individuation: balancing desire for connection with self-preservation. It might reflect emotional experiences where you have both longed for recognition but also learned to establish boundaries.
4. Repetition in the Performance
Repeating the song and dance could indicate a loop or unresolved emotional theme in your life. Are you replaying similar relationship patterns, seeking clarity, or reinforcing a new belief about yourself? Repetition in dreams often highlights something that needs further processing or integration.
5. Possible Interpretation
This dream seems to highlight themes of self-expression, emotional longing, boundaries, and transformation. It could suggest:
A desire to be seen and appreciated for who you truly are.
A need to reconcile past emotional experiences (perhaps linked to love, recognition, or childhood).
A transitional phase, where you are redefining how you relate to others and how much emotional energy you give away.
A growing confidence in setting emotional boundaries, ensuring that relationships (romantic or otherwise) are reciprocal rather than one-sided.
Final Reflection
This dream could be encouraging you to embrace self-expression while also standing firm in your self-worth. The repeated performance might indicate an ongoing process of internal validation—learning to sing and dance for yourself, not just for others. Perhaps it’s time to fully own your story, creatively and emotionally, without waiting for external approval.